Forgive me for not writing anything in quite some time. I'm going to use the old excuse that I have had quite the hectic and busy semester. But as I sit here on a quiet campus that has been abandoned for Easter weekend, I figured I might take some time to catch up. And today I am not just going to talk about music in he way I normally do, but about a musician that has a very special place in my heart.


His name is Ryan Trost. 

Ryan was a friend of mine in high school. Not my best friend. Not the kind of friend that I hung out with all the time on weekends or after school. Ryan was my friend in the way you just become friends with the people you see in school everyday. We sat next to each other in class, he would correct the careless mistakes I made on my French homework, tell jokes that no one was witty enough to understand, and excitedly tell me random bits of information that no one else would know. 

Most of all, however, Ryan was a musician and songwriter, and on the three year anniversary of him being gone, I would like to honor him the best way I know how by talking about his music. 

The first time I ever heard Ryan sing was in French class. My teacher was always a fan of making us sing peppy French songs, and "Aux Champs Elysee" by Joe Dassin was a class favorite. Anyway, not only was Ryan the loudest and most impressive at pronouncing the French perfectly when singing, but his favorite thing to do was be a human saxophone during the instrumental breaks. Needless to say I didn't take him very seriously (not that that's what he was aiming for).

But when the school's annual talent show rolled around, I became aware of just how seriously I should have taken Ryan as a songwriter and performer. The song he sang was "Reign, Reign Go Away." It sounded simple. Just Ryan standing behind the microphone, holding his acoustic guitar in a Bob Dylan-like fashion, but it was nothing short of amazing. The words were full of dark imagery, telling the story of a storm and ship wreck. But despite the less than cheerful theme of the song, he still somehow got the entire audience singing and laughing with him. No one could help but love him when he was on stage.

Unfortunately I only saw Ryan perform a few times at school events and, therefore, never was able to appreciate him for the musician he was while he was alive. I didn't fully grasp how passionate and talented he was with music. I don't know if he would have ever been some famous rock star or the next big songwriter, but I do know that he brought something special to our school and town through his music. While there were other great singers, musicians, and songwriters in school, no one did it like Ryan. Because Ryan was not only just an incredible songwriter, but an all around incredible person--unique, funny, friendly, and caring. 

Besides our loving memories, what we have left of Ryan is his music. Luckily he left us "King of the Wild Things," an album of some of his original songs. Whenever I'm thinking of Ryan, I listen to these songs and remember the tall, lanky boy with the John Lennon long hair and leather jacket who made us all laugh, sing along, and brought us together with his music.

"Hold me like you'll never see my face again,
Don't ever let go util the end."
-To Whomever it May Concern (This Letter Goes to No One)





From the first time I saw Ryan perform. "Reign, Reign Go Away"

I have not posted anything new in quite some time due to the chaos that ensues during finals and the holidays. I hope everyone had a happy, relaxing, and wonderful holiday season. I don't have anything new to talk about at the moment, but I just wanted to say that 2012 delivered some of the greatest music and I'm excited to see what will happen in 2013. Here's to a new year filled with love, happiness, and music!

I accidentally stumbled upon Zach DuBois' original song "Back Home Again (Indiana)" on YouTube this past summer and out of curiosity pressed play. The song instantly sparked an interest and I watched nearly all of the singer's videos, most of them being covers of popular country songs from artists like Luke Bryan, Jason Aldean, and Kenny Chesney. His videos had thousands of hits and I wondered how I had never heard of this kid before.

I don't usually go crazy over YouTube stars, but I thought there was something special about Zach. Although I loved his renditions of songs like "I Don't Want This Night to End," and "Fly Over States," I was pleased to see that he also was a songwriter with several original songs.

Now Zach's released a full-length album titled Destination Unknown, full of original songs that prove he's got the songwriting chops to make it in Nashville. His songs are full of traditional country themes of home, love, and wondering where life will take you next, but I think Zach has an original voice and talent that would be valuable to country music. He can appeal to the young audience with the perfect tailgating song "Beer for Breakfast" and "Destination Unknown" for that college student that is embarking on the next step in life. But he also contains that essential universal appeal with songs like "Home to Me" and "Forever in Your Eyes." Most of all, the album has that special autobiographical characteristic. The music really tells his story and you can get a sense of who he when you listen. It's personal--a characteristic, I feel, that is what's missing from a lot of music these days.    

Country fans, fellow Hoosiers, check this guy out. Maybe I'm a little biased since he and I are both not only Hoosiers, but also apparently from the same northern region of the state. I relate to him and his music on that level--it reminds me of home. We're both small-town Indiana kids chasing our dreams in music. But no matter how biased my opinion may be, I hope to see Zach make it further in the country industry. It would be great to have this Indiana boy represent our  home state in Nashville.

When I learned that the Blown Away tour was going to be rolling into Indianapolis on the last weekend of my Thanksgiving break, I took that as a sign of fate that I was supposed to attend. I dragged my mother with me all the way up to the nosebleed section at Bankerslife Fieldhouse on Saturday night as I anticipated seeing the artist I have adored since I was 12.


I had the lucky opportunity to go to Carrie's show in Nashville during her Play On tour in 2010 (thanks to my awesome roommate that won tickets and meet and greet passes), and through that experience, I knew that Blown Away was going to be as awe inspiring as ever. The Blown Away show is by far one of the most impressive live events I've ever been to and solidified my love for Carrie and belief that she is one of the strongest female figures to ever enter country music. 

From the opening act to the encore, I was captivated by each song and each moment. Hunter Hayes was the perfect choice of a tour partner. He started the show with an energy that I have never experienced from an opening act before. His talent and stage presence made me question why he was an opener instead of headlining his own tour (which I think we can expect in the near future). His original material from his album Hunter Hayes was exciting enough, but he also brought the crowd (especially the girls) to their feet with his rendition of "Just the Way You Are." Hunter proved to me that we can expect a lot more from him in the next few years. 

The rest of the show was just incredible. Indeed, I say, epic. The opening video teasers of the "Blown Away" video created a tension and excitement that had me waiting in anticipation for Carrie to come on stage. The entire show thereafter felt like a story or movie with the stage design, the background videos, the costumes, and of course, the music. Carrie always tries to add a surprising element to her shows. During Play On, she circled the arena in a flying truck. This time, she took it a step further with a flying stage, joking that the designers "humored her" on that one. Carrie not only proved how she is one of the rightful queens of country, but also the she can be just as much rock with her cover of "Sweet Emotion." To much of my amazement (and judging by the looks around me, everyone else's) Carrie didn't perform the tour title song "Blown Away" until the very end of the show. Before the song even began, the audience around me knew what was coming and rose to their feet in excitement, thankful the new single hadn't been left off the set list. With this song, she truly did end up blowing the audience away in the end.

While I was watching the show, I found it so hard to believe that just a few years ago this was the shy, small-town girl that was told she needed to work on stage presence when auditioning for American Idol. Stage presence isn't much a problem for her anymore. She never fails to connect with the fans, peppering the show with humor and talk about hometowns, her roots, and her American Idol days. She doesn't let the audience for a second forget where she came from.   

I have never been more inspired than by seeing one of my favorite artists perform live. Although I have a mile-long list of artists that I still need to see, I would attend a Carrie Underwood show as many times as the opportunity arises. I have looked up to her since I saw her first audition on American Idol and she has never failed to inspire and amaze me with her talent and music.

I don't want to give too much of the show away, but I urge anyone that hasn't seen it yet and is thinking about it to go! Carrie and Hunter will not disappoint. Trust me.

To see a few photos from the show, check out the Photos tab. 

If you've read my previous posts, you'll know that I love watching award shows. So naturally I decided to check out the American Music Awards tonight.  This was actually the first time I've ever actually seen this particular awards show, but I figured I had a decent idea of what to expect--Justin Bieber, Taylor Swift, Nicki Minaj, and all the other pop superstars that rule the current music industry.

The AMAs celebrate various popular American genres including pop, country, alternative, and even EDM. But after seeing several of the performances and the winners, I began questioning the value of this awards show to the music industry.

Award ceremonies like the Grammys, the Oscars, and the Tonys are all traditional and significant parts of the entertainment culture. They are the nights where we celebrate the best of film, music, and theater in America and recognize artists for their contributions and work. Then, as I discovered tonight, there are some shows that recognize not necessarily the best artists, but simply those with the catchiest songs on the radio. These shows make it seem as though bringing home trophies are what defines an artist.

While there are several artists that performed and won at the AMAs that I believe do represent American music well. I enjoyed the performances that Kelly Clarkson, Pink, and Carrie Underwood put on. Then there were the performances by Ke$ha and Carly Rae Jepsen that made me think about what we represent as being the best of the best in America.

I don't necessarily have a problem with any of the artists the won or performed at the AMAs. I may try to hide it by turning the volume down or putting my head phones on when I listen to Justin Bieber and One Direction on occasion, but I love pop music. I believe there are many pop musicians that are valuable to the industry. Pop is fun. It brings people enjoyment and happiness. It's the music we blast when driving down the highway or belt out in shower. After all, it's not as if every single song ever written has to make some huge statement or have a deep life meaning.  Because of that, pop is still very much a part of our culture and, therefore, can be said to add some value to the industry.

But then Carly Rae Jepsen won Best New Artist and Justin Bieber won Artist of the Year, and I started to think about where to draw the line between loving this music for fun and representing it as the best America has to offer. "Call Me Maybe" is an enjoyable song to dance to when you're goofing around with friends, but it's not, in my opinion, an award worthy song . But these are the kinds of songs that receive the most praise and recognition.

Popular American music used to be Elvis, The Beach Boys, Michael Jackson. These artists were considered "pop" in their day and I don't think anyone can question the contributions they made to music or their artistic merit. I wish I had lived in the times when these artists defined American music. Instead, the legacy of my generation will be "Call me Maybe," "Baby," and "Tik Tok." I guess it's all subjective as to whether or not my generation's music is defined by these songs. What makes music worth recognition and praise is all up to the individual. That's what makes music so great, after all.

I love awards shows. All of them. I love the glitzy red carpets, the girls' gorgeous gowns, the guys' snazzy suits and tuxes, the musical performances, the scripted jokes,Taylor Swift's face every time she wins. It's almost embarrassing how fast I run home from class or work just to make sure I don't miss the anything. So obviously I'm really looking forward to the CMA Awards this Thursday!

I'm more excited than ever for this year's show! The performance line-up is filled with the best talent, and all of my favorite artists are on the list including Carrie Underwood, Little Big Town, Lady Antebellum, and Miranda Lambert. Brad Paisley and Carrie Underwood are in their fifth year as co-hosts, promising the evening to be complete with witty jokes and banter and the excellent onstage chemistry that the two share.

This has been yet another incredible year for country and all of the nominees have given us so much music to love. Blown Away, Tornado, Night Train, Own the Night, Four the Record, Red...the list goes on.

Of course every nominee in each category is there for a reason, and each one deserves recognition for their achievements and contributions to country music for the past year. But here are some of my picks and predictions as to who will take home the prizes.

New Artist of the Year: There's no doubt in my mind that Hunter Hayes doesn't have this one in the bag. Out of all the artists in the category, Hayes has gained the widest audience and has produced the biggest hit with his single "Wanted."  Aside from his debut record, he has scored a major touring gig on Carrie Underwood's Blown Away tour. He has appealed to audiences in both country and pop and is, of course, every young girl's newest crush. So maybe my 20-year-old girl view is slightly biased, but I would be shocked if he didn't sweep this category as country's biggest breakout star this year.

Female Vocalist of the Year: Each of the artists nominated for Female Vocalist has had a string of victories over the past few years. Martina McBride won for three consecutive years from 2002-2004, Carrie Underwood from 2006-2008, Taylor Swift in 2009, and Miranda Lambert for the past two years. This year's awards introduce a completely new and surprising nominee with pop singer Kelly Clarkson, whose collaborations with Reba McEntire and Jason Aldean have earned her a place in Nashville. It's a tough call between each of these talented women who have all become such iconic figures in country. I would love to see Lambert snag the award for a third year, but I also think the accomplishments Underwood has achieved this year with Blown Away also put her at the top.

Male Vocalist of the Year: I think the real competition is between Luke Bryan and Jason Aldean. These two have been rising to the top over the past couple of years with some of the biggest hits on the charts. Aldean's huge success with My Kinda Party claims iconic hits like "Dirt Road Anthem" and the duet "Don't You Wanna Stay" with Kelly Clarkson that are enough to put Aldean to the top. Luke Bryan's own Tailgates and Tanlines make him an equal contender. The singles "Drunk on You" and "I Don't Want this Night to End" were perfect summer hits. Urban and Shelton have also claimed accomplishments this year both musically and in the television world, and I wouldn't be completely surprised for a win from Shelton. But I still think Bryan and Aldean are the front runners.

Vocal Group of the Year: My top two picks here are Little Big Town and Lady Antebellum. Lady Antebellum is a favorite among many country and pop fans, and they have won this category for the past three years. The success of Own the Night and the album's singles definitely puts them at the top of the game and ready for a possible fourth win. As much as I love Lady A, I would love to see the award go to Little Big Town this year. Sorry for sounding like a broken record by once again raving about Little Big Town, but this year they have certainly stepped up into the spotlight more than ever. Their summer hit "Pontoon"and subsequent album Tornado are enough to put LBT in the winner's category.

Entertainer of the Year: This honored award has been traded between Brad Paisley and Taylor Swift since 2009 with Swift being the reigning Entertainer of the Year. Both are up for the award again this year along with Blake Shelton, Kenny Chesney, and Jason Aldean. Again, the amount of talent and success that each of these artists brings makes for a difficult decision of who will be crowned the title. Then again, Taylor Swift has won every time she's been nominated for this category, and with her new album being all the buzz, the success of her most recent singles, and just simply the fact that she's the queen of country/pop, I have a feeling we may be witnessing her priceless look of surprise Thursday night.  

This is my favorite time of the year for so many reasons--cold weather, colorful leaves, fall smells, bonfires, pumpkin spice lattes--but most of all it's the season of new music! This year new albums have been dropping like crazy and I have been working hard on keeping up with all of my favorite artists and making sure to check out some new ones as well. It's been overwhelming trying to catch up with all the new releases, but so far I'm pretty impressed with what I've been listening to! So here's a little overview of what I've been listening to for the past few weeks.


The Sound of the Life of the Mind--Ben Folds Five: 
Ben Folds (and the Ben Folds Five) has never failed to amaze me and this album is no different. While Ben Folds has been releasing albums regularly throughout the years, this album is a comeback for the band. This album is softer and contains more ballads than previous Ben Folds Five albums but still represents their classic, unique sound and out-there lyrics, especially in songs like "Draw a Crowd" and "Michael Praytor, Five Years Later." At first listen, the softer, slower quality in most of the songs didn't grab my attention, but the more I listen, the more I fall in love with each song. Definitely a win for the Ben Folds Five and a great comeback album! 

Favorite songs: "Sky High," "Draw a Crowd," "Michael Praytor, Five Years Later," "Erase Me"

The Carpenter--The Avett Brothers
For me, this has been the year for roots/folk/Americana music. I just heard of the Avett Brothers this year and have since been obsessed with this band and this entire style of music. This is the best Avett Brothers album yet with a wide range of style and sound. I love how the Avett Brothers can deliver even the slowest song with such an enormous amount of energy. The Carpenter also really shows how this band can master a variety of styles from a soft folk ("The Once and Future Carpenter," "Through My Prayers") sound to a harder, edgier rock sound ("Paul Newman vs. The Demons"). I will be obsessively listening to this album for quite some time.

Favorite songs: "Live and Die," "The Once and Future Carpenter," "Paul Newman vs. the Demons," "I Never Knew You"

Tornado--Little Big Town
Although it came out a few weeks ago, I feel like I have to mention this album because I've been listening to it nonstop since it was released. I also know I've already raved about Little Big Town, but I'm going to do it again because Tornado is incredible! Once again LBT delivers an album with songs that deliver such perfect energy, raw emotion, and of course their signature harmony. Tornado has songs containing classic country elements such as "Pavement Ends," and more country/pop songs that everyone can enjoy like their summer hit "Pontoon." Just like every previous LBT album, Tornado also delivers the classic ballads filled with heartache, lost love, and pure raw emotion in "Your Side of the Bed" and "Can't Go Back." Tornado is just a perfect combination of fun, energetic songs and soft, passionate ballads. I can say that Tornado is by far my favorite LBT album! 

Favorite songs: "Pavement Ends," "Tornado," "Leavin' in Your Eyes," "Can't Go Back"  

Night Train--Jason Aldean
Jason Aldean's Night Train was just released a couple of days ago, and so far I'm actually not sure how I feel about it. I definitely enjoy a lot of Aldean's music. So many of his songs, such as "Dirt Road Anthem" and "Fly Over States" (love the Indiana mention!), fill me with nostalgia and memories of home that anyone from a small town can relate to. His newest release is no different with themes of small town life and being a country boy. Much of the music just sounds the same to me and nothing seems all too distinct in Night Train. I know Aldean is capable to being original as he showed with "Dirt Road Anthem." I'm just looking for that same originality and unique spark again. That being said, Night Train definitely has some excellent songs every country fan should take a listen to, such as "When She Says Baby," "I Don't Do Lonely Well," and "Talk." 

Some other albums I've been listening to: 
Night Visions--Imagine Dragons (Love it!) 
Babel--Mumford and Sons (I actually haven't had the chance to listen to it all the way through yet, but so far I'm enjoying it.)

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